huge chaos dec 2020

LOG.md

@@ -161,4 +161,4 @@ That was about 3.5 hours of work today. I feel I'm far from something musically
 
 -
 
-##
+##

SCLang_Workspace_20200413.scd

@@ -0,0 +1,289 @@
+// =====================================================================
+// SuperCollider Workspace
+// =====================================================================
+
+(
+SynthDef("kick1", {arg out = 0, amp = 0.3, sinFreq = 60, glissf = 0.9, att = 0.01, rel = 0.45, pan = 0;
+	var gliss = XLine.kr(sinFreq, sinFreq*glissf, rel);
+	var snd = SinOsc.ar(gliss);
+	var env = Env.perc(att, rel).kr(doneAction: 2);
+	snd = snd * env * amp;
+	Out.ar(out, Pan2.ar(snd, pan));
+},
+metadata: (
+	credit: "Bruno Tucunduva Ruviaro",
+	category: \drums,
+	tags: [\percussion, \kick]
+)
+).add;
+
+/* Recieved from
+https://github.com/supercollider-quarks/SynthDefPool/blob/master/pool/kick_chrp.scd
+A kick made using what radio folks would call a "chirp"
+Modified by Bruno Ruviaro and Josh Mitchell 8/19.
+*/
+
+SynthDef(\kick_chirp, {
+
+	arg out = 0, amp = 0.1, pan = 0, curve = -20, att = 0.001, rel = 0.5, maxFreq = 500;
+
+    var env, snd;
+
+	env = Env.perc(attackTime: att, releaseTime: rel, curve: curve).exprange(0, maxFreq).kr(doneAction: 2);
+
+    snd = SinOsc.ar(freq: env, mul: amp);
+    snd = LeakDC.ar(snd);
+
+Out.ar(out, Pan2.ar(snd, pan))
+},
+metadata: (
+	credit: "Original by dan stowell. public domain",
+	category: \drums,
+	tags: [\kick, \drum, \percussion, \chirp]
+	)
+).add;
+
+SynthDef("hihat1", {arg out = 0, amp = 0.5, att = 0.01, rel = 0.2, ffreq = 6000, pan = 0;
+	var snd = WhiteNoise.ar(amp);
+	var env = Env.perc(att, rel).kr(doneAction: 2);
+	snd = HPF.ar(snd * env, ffreq);
+	Out.ar(out, Pan2.ar(snd, pan));
+},
+metadata: (
+	credit: "Bruno Tucunduva Ruviaro",
+	category: \drums,
+	tags: [\percussion, \hihat]
+)
+).add;
+)
+
+
+TempoClock.default.tempo = 90/60;
+Ndef(\kick).play
+Ndef(\kick).stop
+Ndef(\kick).proxyspace.quant = 8;
+Ndef(\kick).proxyspace.tempo = 90;
+Ndef(\kick).fadeTime = 0.001;
+
+(
+
+Ndef(\kick,
+	
+	Ppar([
+		Pbind( \instrument, \kick1,
+			//\dur, Pseq([1.5,1,1.5], inf),
+			\dur, Pseq([0.75,0.75, 0.5], inf),
+			\rel, 1,
+			\glissf, 0.6,
+			\amp, 0.8
+		),
+		Pbind( \instrument, \kick_chirp,
+			\dur, Pseq([0.75, 1, 0.75, 0.25],inf),
+			\dur, Prand([
+				Pseq([0.75, 0.5, 0.75]),
+				Pseq([0.75, 0.75, 0.5]),
+				Pseq([0.75, 0.75, 0.25,0.25]),
+				Pseq([0.75, 0.25,0.25, 0.75]),
+				Pseq([0.75, 0.25,0.75, 0.25]),
+				Pseq([0.75, 0.25, 0.5, 0.5]),
+				//Pseq([0.25],8),
+				//Pseq([0.5],4),
+				Pseq([1],2),
+			], inf),
+			\amp, 0.02
+		),
+		Pbind(\instrument, \hihat1,
+			\dur, Pseq([Rest(0.27),0.23,0.25,0.25], inf),
+			\amp, Pseq([0, 0.04,0.09,0.01], inf) ,
+			\ffreq, 10000,
+		),
+		Pbind(\instrument, \hihat1,
+			\dur, Pseq([Pseq([0.26,0.24],7),Prand([1/8,Rest(1/8)]), 1/8],inf),
+			\amp, Pseq([0.01,0.02], inf) ,
+			\ffreq, 5000
+		),inf
+	])
+	
+)
+)
+
+
+
+
+
+
+
+
+
+
+///////////////////////////////////////////////////////////////////////////////////////////////////
+
+
+
+
+(
+{
+    EnvGen.kr(
+        Env([0, 1, 0, 0.2, 0, 0.5, 0.8, 0], [0.01, 0.01, 0.01, 0.01, 0.01, 0.01, 0.01], releaseNode: 5, loopNode: 1),
+        gate: Trig.kr(1, 3.9)
+    );
+}.plot(duration: 4)
+)
+
+
+
+
+
+( // synthdefi
+SynthDef(\monitorInput, {
+	arg out = 0;
+	var snd = SoundIn.ar([0,1], 1);
+	Out.ar(out,snd);
+}).play;
+)
+
+Ndef(\ndefMonIn).play
+Ndef(\ndefMonIn).fadeTime = 10;
+(
+Ndef(\ndefMonIn, {
+	var snd = SoundIn.ar([0,1], 1);
+
+	snd*0.5;
+}).fadeTime = 10;
+)
+
+// Execute the following in order
+(
+// allocate a Buffer
+s = Server.local;
+b = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+)
+
+// record for four seconds
+(
+SynthDef(\help_RecordBuf, { arg out = 0, bufnum = 0;
+    var snd = SoundIn.ar(0,1);
+    RecordBuf.ar(snd, bufnum, doneAction: Done.freeSelf, loop: 0);
+	
+}).play(s,[\out, 0, \bufnum, b]);
+)
+
+// play it back
+(
+SynthDef(\help_RecordBuf_playback, { arg out = 0, bufnum = 0;
+    var playbuf;
+    playbuf = PlayBuf.ar(1,bufnum);
+    FreeSelfWhenDone.kr(playbuf); // frees the synth when the PlayBuf is finished
+    Out.ar(out, playbuf);
+}).play(s, [\out, 0, \bufnum, b]);
+)
+b.plot
+
+// overdub
+(
+SynthDef(\help_RecordBuf_overdub, { arg out=0, bufnum=0;
+    var formant;
+    formant = Formant.ar(XLine.kr(200, 1000, 4), 2000, 800, 0.125);
+    // mixes equally with existing data
+    RecordBuf.ar(formant, bufnum, 0, 0.3, 0.5, doneAction: Done.freeSelf, loop: 0);
+}).play(s, [\out, 0, \bufnum, b]);
+)
+
+// play back the overdubbed version
+Synth.new(\help_RecordBuf_playback, [\out, 0, \bufnum, b], s);
+
+// write the contents of the buffer to a file (see Buffer for more options)
+(
+b.write(sampleFormat: 'int16');
+thisProcess.platform.recordingsDir +/+ "SC_" ++ Date.localtime.stamp ++ ".aiff"; // generated path
+)
+
+b.close; b.free; // cleanup
+
+Ndef(\bgrain).play
+
+Ndef(\bgrain).fadeTime = 10;
+
+(
+Ndef(\bgrain, { |gate = 1, amp = 0, sndbuf, freq=90|
+    var snd, pan, env, freqdev;
+    // use mouse x to control panning
+    //pan = MouseX.kr(-1, 1);
+    pan = LFNoise1.kr(0.1).range(-1, 1) * LFNoise0.kr(freq).range(0.2,1);
+    env = EnvGen.kr(
+        Env([0, 1, 0], [1, 1], \sin, 1),
+        gate,
+        levelScale: amp,
+        doneAction: Done.freeSelf);
+	
+	snd = GrainBuf.ar(
+		numChannels:2,
+		trigger:Impulse.kr(LFNoise1.kr(freq).range(0.8,1) * freq),
+		dur: 0.2,
+		sndbuf: b,
+		rate: 1 * LFNoise1.kr.range(0.99, 1),
+		pos: LFNoise2.kr(0.1).range(0, 1) * LFNoise0.kr(freq).range(1,1.01),
+		interp: 2,
+		pan: pan) * env;
+
+	snd = RLPF.ar(snd, freq: LFNoise2.kr(0.1).exprange(400,10000));
+
+	//snd = snd + (Greyhole.ar(snd, delayTime: 0.4,feedback: 0.4 ) * 0.8);
+});
+)
+
+
+
+c = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+// record for four seconds
+(
+SynthDef(\help_RecordBuf, { arg out = 0, bufnum = 0;
+    var snd = SoundIn.ar(0,1);
+    RecordBuf.ar(snd, bufnum, doneAction: Done.freeSelf, loop: 0);
+	
+}).play(s,[\out, 0, \bufnum, c]);
+)
+
+Ndef(\bgrain2).play;
+Ndef(\bgrain2).fadeTime = 3;
+(
+Ndef(\bgrain2, { |gate = 1, amp = -6.db, sndbuf, freq=90|
+    var snd, pan, env, freqdev;
+    // use mouse x to control panning
+    //pan = MouseX.kr(-1, 1);
+    pan = LFNoise1.kr(0.1).range(-1, 1) * LFNoise0.kr(freq).range(0.2,1);
+    env = EnvGen.kr(
+        Env([0, 1, 0], [5, 1], \sin, 1),
+        gate,
+        //levelScale: amp,
+        doneAction: Done.freeSelf);
+	
+	snd = GrainBuf.ar(
+		numChannels:2,
+		trigger:Impulse.kr(LFNoise1.kr(freq).range(0.8,1) * freq),
+		dur: 0.2,
+		sndbuf: c,
+		rate: 1 * LFNoise1.kr.range(0.99, 1),
+		pos: LFNoise2.kr(0.03).range(0, 1) * LFNoise0.kr(freq).range(1,1.01),
+		interp: 2,
+		pan: pan) * env;
+
+	snd = RLPF.ar(snd, freq: LFNoise2.kr(0.1).exprange(100,7000)) * amp;
+
+	//snd = snd + (Greyhole.ar(snd, delayTime: 0.4,feedback: 0.4 ) * 0.8);
+});
+)
+
+
+Ndef(\ba).play(~reverBus, addAction: \addToHead)
+
+~reverbDelay = Synth(\verbDelayFX, [\inBus, ~reverBus, \outBus, 0], addAction: \addAfter);
+~reverbDelay.set(\revWet, 1);
+~reverbDelay.set(\dlyWet, 1);
+~reverbDelay.free
+//////////////////////////////////////////////////////////////////////////////////////////////
+
+
+Quarks.gui
+
+SynthDefPool.gui

ark-track-AKJ.scd

@@ -0,0 +1,108 @@
+//AKJ to pattern femalemalenonbinary
+
+(
+SynthDef(\akj1, {
+	arg freq=300, amp=0.1, out=0, gate=1;
+	var snd, env;
+
+	freq = [freq,freq*1.01];
+
+	snd = LFPar.ar(freq) * 0.3
+	+ (LFTri.ar(freq*16/19, mul:0.3))
+	+ (Pulse.ar(freq*21/40, mul:0.1))
+	+ (SinOsc.ar(freq/8.01, mul:4).clip2(0.3));
+	
+
+	env = Linen.kr(gate, attackTime:1, releaseTime:3, doneAction:2);
+	snd = Splay.ar(snd);
+	snd = snd * env * amp;
+	Out.ar(out, snd);
+}).add;
+)
+
+(
+SynthDef(\akjbz, {
+	arg freq=300, amp=0.1, out=0, gate=1;
+	var snd, env;
+
+	//freq = [freq, freq*2.02, freq*1.98, freq];
+	snd = SinOsc.ar(freq/4, mul:0.7)!2;
+	//snd = snd * [1, 0.1, 0.1, 1];
+	snd = snd * Lag.ar(LFPulse.ar(freq/8.02, 0.5).range(1,0),0.005);
+	snd = snd.softclip(0.5) * 1.5 ;
+	
+	env = Linen.kr(gate, 0,1,0, 2);
+	//snd = (snd + (snd.wrap2 * 0.54)).softclip;
+
+	snd = snd * env * amp;
+	
+	Splay.ar(snd);
+	Out.ar(out, snd);
+	//LFPulse.ar(0.275, width:0.25).range(0,1);
+
+}).add
+)
+
+(
+SynthDef(\click1, {
+	arg out=0, gate=1, freq=440, amp=0.1, releaseTime=0.1;
+	var snd, env;
+
+	snd = LFPulse.ar([freq, freq * 2], width: LFNoise1.ar(0.1).exprange(0.001,0.004));
+	snd = snd + (WhiteNoise.ar(1) * snd);
+	snd = HPF.ar(snd, 200);
+    //snd = Limiter.ar((snd * 5));
+
+	env = EnvGen.ar(Env.perc(0,releaseTime));
+	
+	snd = snd * env * amp * Linen.kr(gate, 0, 1, releaseTime, 2);
+	snd = Splay.ar(snd);
+	Out.ar(out, snd);
+}).add
+)
+
+
+// -- disonant chord + click + bazz -------------------------------
+TempoClock.tempo=1
+// disonchord
+Pdef(\akj1p).play;
+(
+Pbindef(\akj1p, *[
+	instrument: \akj1,
+	freq:300,
+	dur:5,
+	legato: 1,
+	amp: 1
+]))
+Pdef(\akj1p).stop;
+
+
+// click
+Pdef(\clickp).play(quant:4);
+Pdef(\clickp).stop(quant:4);
+(
+Pbindef(\clickp, *[
+	instrument: \click1,
+	dur: Pseq([Pseq([1,2,3]/8, 2), Pseq([1,2,1,2,1,1]/8,3), Pseq([1]/8, 4), Pseq([1]/16, 2), ],inf),
+	//dur: Pseq([Pn(1/8, 31), Rest(1/8)],inf),
+	amp: Prand([5,7,8,9]/10, inf),
+	releaseTime: 0.3,
+	freq:1
+	
+])
+)
+
+// deep bass --
+Pdef(\akjbp).play(quant:4)
+(
+Pbindef(\akjbp, *[
+	instrument: \akjbz,
+	freq: 300,
+	dur: 8,
+	amp: 0.5,
+	legato: 0.20
+])
+)
+Pdef(\akjbp).stop
+
+// ----------------------------------------------------------------------------

ark-track-GCDFEEDMODSIN.scd

@@ -0,0 +1,146 @@
+//
+///////////////////////////////////////////////////////////////////////////////////////////////
+// GCD SINMODFEED /////////////////////////////////////////////////////////////////////////////////////////
+// feedback of modulated SinOsc
+
+// low rumble 0 ------------------------------------
+(
+SynthDef(\dNoz, {
+	arg out=0, gate=1, amp=0.1, envattackTime=0.001, release=0.001;
+	var snd, env;
+	env = Linen.kr(gate, envattackTime, 1, release, doneAction:2);
+	snd = WhiteNoise.ar(1);
+	snd = snd + SinOsc.ar(SinOsc.kr(10).range(40,60), mul:0.2);
+	snd = snd + Pulse.ar(SinOsc.kr(12).range(40,60), mul:0.1);
+	snd = snd.clip2(0.8);
+
+	snd = LPF.ar(snd, LFNoise2.ar(0.4).range(60,100), mul:3);
+
+	snd = snd.dup;
+	snd[1] = DelayL.ar(snd[1], 0.05, SinOsc.kr(0.2).range(0.001,0.003));
+	snd = snd * env * amp;
+	Out.ar(out, snd);
+	
+}).add;
+);
+(
+// "LFTri bass drum kick" - by luka@lukaprincic.si
+SynthDef(\tribd, {
+	arg out=0, gate=1, freq=77, amp=0.1;
+	var snd,snd1, aenv, fenv, senv;
+
+	fenv = Env(levels:[2, 1.2, 0], times: [0.1, 0.4]).kr;
+	freq = [freq,freq*2] * fenv;
+	freq = freq.max(10);
+
+	snd = LFTri.ar(freq) + SinOsc.ar(freq) * [1,0.3];
+	snd1 = SinOsc.ar(190, mul:3) * EnvGen.ar(Env.perc(releaseTime:0.1), gate) ;
+	snd = snd.sum * 0.9;
+	snd = LPF.ar(snd, freq * 4);
+
+	snd = snd + RLPF.ar( BrownNoise.ar(1),
+		Env(levels:[2000,500,90], times:[0.01,0.05]).kr, 0.3 );
+
+	snd = snd + ( BPF.ar(WhiteNoise.ar(0.5), 3000) 
+		* Env([1,1,0], [0.004,0.005]).kr );
+	snd = snd + ( BPF.ar(WhiteNoise.ar(0.5), 7000) 
+		* Env([1,1,0], [0.003,0.001]).kr );
+	
+	aenv = Env([1,1,0], [0.2,2], curve: -9).kr;
+	snd = snd1 + snd * aenv;
+	snd = Limiter.ar(snd, 8);
+	
+	senv = Linen.kr(releaseTime: 0.1, gate: gate, doneAction: Done.freeSelf);
+	snd = LeakDC.ar(snd);
+	snd = snd * amp * senv;
+	snd = Pan2.ar(snd, pos:0);
+	snd = snd.clip2;
+	Out.ar(out, snd);
+}).add;
+);
+
+
+
+////////////////////////////////////////////////////////////////////////////////////////////////////////
+(
+~clk3 = TempoClock.new(2.2);
+//~myClock = TempoClock.new(2.2);
+
+//~clk3 = TempoClock.tempo= 2.2 / 1;
+{ // routine starts here
+	1.wait;
+	Ndef(\gcdmod).proxyspace.clock = ~clk3;
+	Ndef(\gcdmod).proxyspace.quant = 1;	
+	Ndef(\gcdmod, {
+		var a = TDuty.ar(Dseq((0..3), inf) + 5 * SampleDur.ir);
+		var b = TDuty.ar(Dseq((3..0), inf) + 5.01 * SampleDur.ir);
+		var mod = 50;
+		var t = PulseCount.ar(a) % mod;
+		var u = PulseCount.ar(b) % mod;
+		var n, j, d, e, c;
+
+		d = LocalIn.ar(2);
+		n = gcd(t, u + [0, 1]);
+		e = n.linexp(0, mod, 70, 10000);
+		j = SinOsc.ar(e);
+		LocalOut.ar(j * d);
+		c = CombC.ar(j, 1, [0.009,0.007,0.008, 0.006] * LFNoise1.ar([0.01,0.01]).range(1.3,0.7), 30, mul:0.05);
+		j = j * LFNoise1.ar(0.2).range(0,0.5) + Splay.ar(c);
+		j = Greyhole.ar(j, damp:0.5, diff:0.5 size:4);
+		j = Limiter.ar(LPF.ar(HPF.ar(j, 100), LFNoise1.kr(0.1).exprange(200,18000)), 0.5, 0.55);
+		j = j * LFPulse.ar([2.2,4.4]*2, 0.96, width:LFNoise1.ar(0.2).range(0.8,0.95)).range(LFNoise1.ar(0.1).range(0,1),1);
+		j = j + LFPulse.ar([2.2,4.4], 0.96, mul: LFNoise1.kr(1/10).range(0,0.5) * Line.kr(0,1,30));
+		j = LeakDC.ar(j);
+		
+		// Out.ar(0, j * EnvGate())
+	});
+	
+	Ndef(\gcdkick).proxyspace.clock = ~clk3;
+	Ndef(\gcdkick).proxyspace.quant = 1;
+	Pdef(\gcdkick, {
+		Pbind(*[
+			instrument: \tribd,
+			dur: Pseq([
+				Rest(32),
+				Pseq(
+					[
+						Prand( [ Pseq([1.5,1.5]), 3 ] ),
+						3,
+						Prand([
+							4,
+							Pn(1,3),
+							Pn(Pseq([1/2,1,Prand([1/2,1.5])]),1)
+						])
+					] / 2, 32)
+				],inf),
+			//dur: 1,
+			//dur: Pseq([1.5,1,1.5,1/2,2,1/2,1.5,1/2,1/4,1/2,1/4,3],inf),
+			freq:77 + Prand((1..10)/5, inf),
+			octave:2,
+			amp:0.1
+		])		
+	};);
+	Ndef(\gcdkick).mold(2, \audio, \elastic);
+	Ndef(\gcdkick)[0] = Pdef(\gcdkick);
+
+
+	Pbindef(\n1,
+		\instrument, \dNoz,
+		\dur, Pseq([20,Rest(10)],inf),
+		\amp, 0.5,
+		\legato, 1,
+	);
+	//Pdef(\n1).stop;
+	//Pdef(\n1).clear;
+	
+	1.wait;
+
+	s.makeBundle(0.25, {
+		Pdef(\n1).play(~clk3, quant:1);
+		Ndef(\gcdmod).play;
+		Ndef(\gcdkick).play;
+	});
+	
+}.fork(~clk3)
+)
+///////////////////////////////////////////////////////////////////////////////////////

ark-track-SHIPPO.scd

@@ -0,0 +1,47 @@
+// shippo ------------------------------------------------------
+(
+SynthDef(\shippo, {
+	arg amp=0.1, gate=1, out=0, freq=100;
+	var snd, env, rev;
+	freq = [freq/2, freq * 0.99, freq * 1.51];
+	snd = Pulse.ar(	freq	* LFNoise1.ar(1/10).range(1,1.03), mul:0.4 )
+	; //* Lag.ar(LFPulse.ar(1/5, iphase:0.98, width:0.1));
+	snd = Splay.ar(snd,spread:0.6);
+	snd = LPF.ar(snd, LFNoise1.ar(1/4).exprange(500,10000));
+	env = EnvGen.kr(Env.adsr(0.001,0,1, 0.1, 1), gate, doneAction:0);
+	snd = snd * env;
+	snd = snd;
+	rev = Array.fill (16, {
+		CombL.ar(
+			snd,
+			0.2,
+			LFNoise1.ar(1/3).range(0.98,1.02) * rrand(0.01, 0.3),
+			10)
+	});
+	rev = Splay.ar(rev);
+	rev = LeakDC.ar(rev);
+	rev = HPF.ar(rev, 100);
+	snd = snd + rev;
+	snd = Limiter.ar(snd, 0.8);
+	snd = snd * amp;
+	DetectSilence.ar(snd, doneAction:2);
+	Out.ar(out, snd);
+}).add;
+)
+
+
+~clksh = TempoClock.new(1);
+Pdef(\shippoP).play(~clksh);
+Pdef(\shippoP).stop;
+(
+Pbindef(\shippoP, *[
+	instrument: \shippo,
+	degree: 4,
+	octave: 3,
+	dur: Pseq([1,2,3], inf),
+	legato:0.2,
+	amp: 0.5
+]);
+)
+Pdef(\shippoP).clear
+

ark-track-s1-distorted-drone.scd

@@ -0,0 +1,38 @@
+Pdef(\s2).play
+(
+Pbindef(\s2,
+	\instrument, \bap,
+	\degree, -1,
+	\dur, 2,
+	\octave, [2,3],
+	\amp, 0.9,
+	\legato, 1,
+	// needs wrangled delay!
+	\out, ~wranglerBus,
+	\dlywet, Pstutter(8, Pfunc({~dlywrang1.set(\wet, rrand(0, ((3..6) * 0.1).choose ) ) })),
+	
+	\d1, Prand((1..5),inf),
+	\d2,  Prand((1..5),inf),
+	\d3, 5,
+	\ffreq, 460
+)
+)
+Pdef(\s2).stop
+
+
+SynthDef(\bap, {
+	arg freq=440, gate=1, out=0, amp=0.1, d1 = 5, d2 = 1, d3=5, ffreq=200;
+	var snd = Saw.ar([freq, freq*1.01]);
+	var env = Linen.kr(gate, releaseTime: 0.1, doneAction:2);
+	snd = snd + SinOsc.ar([freq*0.99, freq]);
+	snd = snd + Pulse.ar([freq*0.99, freq]);
+	
+	snd = snd.clip2(LFNoise1.ar(0.3).range(0.3,0.8)) * d1;
+	snd = snd.wrap2(LFNoise1.ar(0.3).range(0.3,0.8)) * d2;
+	snd = snd.fold2(LFNoise1.ar(0.3).range(0.3,0.8)) * d3;
+	snd = LeakDC.ar(snd);
+	snd = LPF.ar(snd, ffreq);
+	snd = Limiter.ar(snd);
+	snd = Splay.ar(snd);
+	Out.ar(out, snd*env*amp);
+}).add;

ark-track-twoChPad.scd

@@ -0,0 +1,49 @@
+(
+SynthDef(\twoChPad, {
+	arg out=0, gate=1, amp=1, alag=10;
+	var sum, snd0, snd1, snd2, env, gen, faderosc, numosc;
+
+	numosc = 10; 
+	env = Env.adsr(20, 0, 1, 30, 1, \sin);
+	gen = EnvGen.kr(env, gate, doneAction:2);
+
+	faderosc = SinOsc.ar(1/60).range(-1,2).min(1).max(0);
+
+	snd0 = Array.fill(numosc, {
+		var freq, local;
+		freq = [100,150,300,400] * 0.5;
+		local = Saw.ar(rrand(freq, freq * 1.03 ) * LFNoise1.kr(0.3).range(1, 1.03), -10.dbamp);
+		local = Mix(local);
+	});
+	snd0 = Splay.ar(snd0);
+	snd0 = faderosc * snd0;
+	snd0 = LPF.ar(snd0, LFNoise1.ar(0.06).exprange(300,10000));
+	snd0 = CombL.ar(snd0, 1, LFNoise1.ar(0.05).range([0.5,0.65],[0.53,0.68]), 15, -1.dbamp) + snd0;
+
+	snd1 = Array.fill(numosc, {
+		var freq, local;
+		freq = [100,150,300,400] * 0.8;
+		local = Saw.ar(rrand(freq, freq * 1.03 ) * LFNoise1.kr(0.3).range(1, 1.03), -10.dbamp);
+		local = Mix(local);
+	});
+	snd1 = Splay.ar(snd1);
+	snd1 = (0-faderosc+1) * snd1;	
+	snd1 = LPF.ar(snd1, LFNoise1.ar(0.07).exprange(300,10000));
+	snd1 = CombL.ar(snd1, 1, LFNoise1.ar(0.05).range([0.77,0.65],[0.80,0.68]), 15, -1.dbamp) + snd1;
+
+	snd2 = WhiteNoise.ar * LFPulse.ar(0.06, width:0.02) * -25.dbamp;
+	snd2 = HPF.ar(snd2, 2000);
+	snd2 = snd2 + Dust.ar(LFNoise1.ar(0.1).range(1,100), mul:0.2);
+	
+	sum = snd0 + snd1;
+	sum = sum * gen + snd2;
+	sum = sum * Lag.kr(amp, alag);
+	Out.ar(out, sum);
+}).add;
+);
+
+
+~twoChPad = Synth(\twoChPad);
+~twoChPad.set(\amp, 1.5)
+~twoChPad.set(\amp, 1)
+~twoChPad.release(30);

ark_d_livecode.scd

@@ -0,0 +1,457 @@
+// =====================================================================
+// livecoding session, 2.october, 2020 - OSMOZA
+// =====================================================================
+
+
+
+//(// test all )
+//( // stop all? )
+
+
+// delay busses
+
+/*~reverBus = Bus.audio(s, numChannels:2);
+~reverb = Synth(\reverb, [\inBus, ~reverBus, \out, 0, \amp, 1], addAction:\addToTail )
+~reverb.set(\amp, 1)
+~reverb.free
+~reverBus.free
+*/
+
+
+
+~reverBus = Bus.audio(s,2);
+~reverbDelay = Synth(\verbDelayFX, [\inBus, ~reverBus, \outBus, 0, \revWet, 1, \dlyWet, 1], addAction: \addAfter);
+~reverbDelay.set(\revWet, 1);
+~reverbDelay.set(\dlyWet, 1);
+~reverbDelay.free
+~reverBus.free
+
+b = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+c = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+d = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+e = Buffer.alloc(s, 44100 * 4.0, 1); // a four second 1 channel Buffer
+
+Synth(\recIn, [\bufnum, b]);
+b.normalize;
+Synth(\recIn, [\bufnum, c]);
+c.normalize;
+Synth(\recIn, [\bufnum, d]);
+d.normalize;
+Synth(\recIn, [\bufnum, e]);
+e.normalize;
+
+b.plot
+c.plot
+d.plot
+e.plot
+// ============================================================================
+
+~soil1 = Synth(\granSoil, [\sndbuf, ~getSnd.("forest"), \dur, 0.0001 ,\fadeTime, 20, \amp, 0.8]);
+~soil1.release
+
+
+e = Synth(\bgrain, [\out, ~reverBus, \bufnum, e, \amp, 0.01], addAction: \addToHead);
+g = Synth(\bgrain, [\out, 0, \bufnum, b, \amp, 0.1], addAction: \addToHead);
+e.set(\amp, 0.5);
+e.set(\rate, 1);
+e.free
+g.release(1)
+g.free
+
+~grain1 = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("caretaker"), \amp, 0.01], addAction: \addToHead);
+~grain1.set(\amp, 0.4)
+~grain1.set(\rate, 1)
+~grain1.set(\bufnum, ~getSmp.("romantiq"))
+~grain1.release(1)
+
+~glitchgrain = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("gl05"), \amp, 0.01], addAction: \addToHead);
+~glitchgrain.set(\amp)
+~glitchgrain.release(1)
+
+~amygran = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("amywars"), \amp, 0.1], addAction: \addToHead);
+~amygran.set(\amp, 0.8)
+~amygran.set(\rate, 1)
+~amygran.release(3)
+
+~romantiq = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("romant"), \amp, 0.01], addAction: \addToHead);
+~romantiq.set(\amp, 0.2)
+~romantiq.set(\rate, 1)
+~romantiq.release(10)
+
+~ljuben = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("Ljuben"), \amp, 0.1], addAction: \addToHead);
+
+s.record(duration:120)
+
+(
+Pdef(\glgrain2, Pbind(\instrument, \bgrain, \bufnum, ~getSmp.("amywars"),
+	\dur, 30,
+	\legato, 0.9,
+	\amp, 0.5,
+	\rate, 1,
+	\out, ~reverBus
+)).play);
+Pdef(\glgrain2).stop
+
+(
+Pdef(\glgrain1, Pbind(\instrument, \bgrain, \bufnum, ~getSmp.("gl05"),
+	\dur, 30,
+	\legato, 0.8,
+	\amp, 0.1,
+	\out, ~reverBus
+)).play);
+
+Pdef(\glgrain1).stop
+
+
+(
+//Pdef(\fran, Pbind( \instrument, \bgrain, \bufnum, ~getSmp.("gl05"),
+Pdef(\gran, Pbind( \instrument, \bgrain, \bufnum, b,
+	\dur, 4,
+	
+	\amp, 0.05,
+	//\rate, Prand((90..110) * 0.01,inf),
+	// \pan, Prand([-0.2, 0, 0.2], inf)
+	\out, ~reverBus
+)).quant_(1)
+);
+
+Pdef(\gran).play
+Pdef(\gran).stop
+Pbindef(\gran, \amp, 0.01)
+
+// =======================================================================
+
+~henonS1 = Synth(\henonSynth1, [\out, ~reverBus, \amp, 0.4, \fadeTime, 4]);
+~henonS1.set(\amp, 0.9);
+~henonS1.set(\pan, -1);
+~henonS1.set(\hpff, 12000);
+~henonS1.set(\lpff, 400);
+~henonS1.release(2);
+~henonS1.free;
+
+~henonS2 = Synth(\henonSynth1, [\amp, 0.2, \fadeTime, 20]);
+~henonS2.set(\amp, 0.7);
+~henonS2.set(\pan, 1);
+~henonS2.set(\hpff, 13000);
+~henonS2.set(\lpff, 300);
+~henonS2.set(\gate, 0, \fadeTime, 1);
+~henonS2.release(2);
+~henonS2.free;
+
+~darkHenon1 = Synth(\henonLsynth2, [\fadeTime, 10, \amp, 0.1]);
+~darkHenon1.set(\amp, 0.5);
+~darkHenon1.release(30);
+~darkHenon1.free;
+
+~darkHenon2 = Synth(\henonLsynth2, [\fadeTime, 10, \amp, 0.2]);
+~darkHenon2.set(\amp, 0.7);
+~darkHenon2.set(\gate, 0, \fadeTime, 3);
+~darkHenon2.release(30);
+~darkHenon2.free;
+
+
+
+
+
+
+
+
+
+
+
+// 210Hz
+~fhnTrig1 = Synth(\fhnTrigRing, [\freq, 110, \amp, 0.5, \decay, 2, \min, 0.2, \max, 1, \amp, 0.4, \fadeTime, 10]);
+~fhnTrig1.set(\freq, 60);
+~fhnTrig1.release(3);
+
+// 200Hz
+~fhnTrig3 = Synth(\fhnTrigRing, [\out, ~octoBus2, \freq, 200, \amp, 0.5, \decay, 2, \min, 0.2, \max, 1, \amp, 0.4, \fadeTime, 10]);
+~fhnTrig3.release(30);
+
+// 2110
+~fhnTrig2 = Synth(\fhnTrigRing, [\freq, 2110, \amp, 0.5, \min, 2, \max, 20, \amp, 0.5, \fadeTime, 10]);
+~fhnTrig2.set(\out, 0)
+~fhnTrig2.set(\ffreq, 8000)
+~fhnTrig2.release(6)
+
+~fhnTrig2 = Node.basicNew(nodeID:1369)
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+// =====================================================================
+// Pbindefs ////////////////////////////////////////////////////////////
+
+
+Pdef(\bsln1).play.quant_(1);
+Pbindef(\bsln1,	\dur, Pseq([1,2,3] * 1/4, inf))
+Pbindef(\bsln1,	\degree, Pseq([2,2,4,1], inf))
+Pbindef(\bsln1,	\legato, 1, \releaseTime, 0.01)
+Pbindef(\bsln1,	\lpf, Prand([3,4,5,6,7,8],inf))
+Pbindef(\bsln1,	\lpf, Pseq([4,5,6,7,8,9,10,11],inf))
+Pbindef(\bsln1,	\freso, 0.5)
+Pbindef(\bsln1,	\fdist, 1)
+Pbindef(\bsln1,	\amp, 0.3)
+Pdef(\bsln1).stop;
+
+//--
+
+Pdef(\strng1).play;
+
+// Pseq([3,2,1] * 1/6,inf)
+Pbindef(\strng1, \dur, 	Pseq([3,2,1] * 1/6,inf))
+
+// [4,9], 2, 8 , 4, 1
+Pbindef(\strng1, \degree, 2)
+Pbindef(\strng1, \degree, Pseq([[4,9],2,8,4,1], inf))
+Pbindef(\strng1, \octave, 5)
+// [6,5,7], [4,5,7], [7,5,4]
+Pbindef(\strng1, \octave, Pseq([[4,5,7],[7,5,6],[5,7,4]],inf))
+Pbindef(\strng1, \octave, Pseq([[6,5,7], [4,5,7], [7,5,4]],inf))
+Pbindef(\strng1, \amp, 0.1)
+// Pstutter(12, Pseq([1,0,-2,3,-3], inf))
+Pbindef(\strng1, \mtranspose, Pstutter(12, Pseq([1, 0, -2, 3, -3],inf)))
+
+
+Pdef(\strng1).stop;
+Pdef(\strng1).clear;
+
+
+//--
+
+Pdef(\perc1).play
+Pbindef(\perc1, \amp, 0.4)
+Pbindef(\perc1, \dur, Pseq([1.5, 2.5] * 1,inf))
+Pdef(\perc1).stop
+
+//--
+
+Pdef(\perc2).play
+Pbindef(\perc2, \amp, 0.3)
+Pbindef(\perc2, \dur, Pseq([Rest(1), 2, 4] * 2/3,inf))
+Pdef(\perc2).stop
+
+//--
+
+Pdef(\perc3).play
+//* Pstutter(6, Prand([1/8,1/4],inf)),
+Pbindef(\perc3, \dur, Pseq([4,3,2,1],inf) * 1/8)
+Pbindef(\perc3, \bufnum, ~getSmp.("perc01"))
+Pdef(\perc3).stop
+Pdef(\perc3).clear
+
+//--
+
+Pdef(\hh1).play
+(Pbindef(\hh1, \dur, Pseq([
+1/4, 1/4, 1/8, 1/4, 1/8, 1/8, 1/8, 1/4,
+1/6, 1/6, 1/6, 1/6, 1/6, 1/12, 1/12
+],inf)))
+Pbindef(\hh1, \amp, 0.4)
+Pbindef(\hh1, \bufnum, ~getSmp.("hh01"), \amp, 0.3)
+Pdef(\hh1).stop
+
+Pdef(\hh2).play
+Pbindef(\hh2, \bufnum, ~getSmp.("hh06"), \amp, 0.4)
+Pdef(\hh2).stop
+
+//--
+
+Pdef(\hh3).play
+Pbindef(\hh3, \bufnum, ~getSmp.("hh05"))
+Pbindef(\hh3, \amp, 0.4)
+Pdef(\hh3).stop
+
+//--
+
+Pdef(\bd1).play
+Pbindef(\bd1, \amp, 0.6)
+Pbindef(\bd1, \dur, Pseq([3/4, 1, 1, 1, 1/4],inf))
+Pbindef(\bd1, \dur, Pseq([3/4, 1, 1, 1, 1/8],inf)) // one 8th note shorter
+Pbindef(\bd1, \bufnum, ~getSmp.("bd01"));
+Pdef(\bd1).stop
+Pbindef(\bd1, \dur, Pseq([1/4],32))
+
+//--
+
+Pdef(\oh1).play
+Pbindef(\oh1, \amp, 0.3)
+Pbindef(\oh1, \dur, Prand([1/2,1,2,5/4],inf))
+Pdef(\oh1).stop;
+
+//--
+
+Pdef(\oh2).play
+Pbindef(\oh2, \amp, 0.1, \dur, 3/4)
+Pdef(\oh2).stop
+
+//--
+
+Pdef(\oh3).play
+Pbindef(\oh3, \amp, 0.1, \dur, 5/4)
+Pdef(\oh3).stop
+
+//--
+
+Pdef(\sn1).play;
+Pbindef(\sn1, \amp, 0.8)
+Pbindef(\sn1, \amp, 0.4, \dur, Pseq([Rest(1), Prand([1])],inf));
+Pbindef(\sn1, \amp, 0.4, \dur, Pseq([Rest(1), Prand([0.5,1,1.5])],inf));
+Pdef(\sn1).stop
+
+//--
+
+Pdef(\sn2).play
+Pbindef(\sn2, \dur, Pseq([1/2,2,3/8,1],inf), \amp, 0.2)
+Pdef(\sn2).stop
+
+//--
+
+Pdef(\sn3).play
+Pbindef(\sn3, \dur, Pseq([1/2,2,3/8,1],inf), \amp, 0.7)
+Pdef(\sn3).stop
+
+//--
+
+Pdef(\cl1).play
+// Pbindef(\cl1, \dur, ...)
+Pdef(\cl1).stop
+
+//--
+
+Pdef(\cl2).play
+// Pbindef(\cl2, \dur, ...)
+Pdef(\cl2).stop
+
+//--
+
+Pdef(\cl3).play
+// Pbindef(\cl3, \dur, ...)
+Pdef(\cl3).stop
+
+
+//--
+
+Pdef(\gl1).play
+// Pbindef(\gl1, \dur, ...)
+Pbindef(\g1, \revWet, 1)
+Pdef(\gl1).stop
+
+//--
+
+Pdef(\gl2).play
+// Pbindef(\gl2, \dur, ...)
+Pdef(\gl2).stop
+
+//--
+
+Pdef(\gl3).play
+Pbindef(\gl3, \dur, Pseq([1,1,1,1,2]/8,inf))
+Pbindef(\gl3, \amp, 0.2)
+Pdef(\gl3).stop
+
+// =============================================================================
+
+
+
+
+// =====================================================================
+// SuperCollider Workspace
+// =====================================================================
+
+
+~soil1 = Synth(\granSoil, [\sndbuf, ~getSnd.("forest"), \dur, 0.0001, \fadeTime, 30, \amp, 0.5])
+~soil1.set(\amp, 1)
+~soil1.release(60)
+
+e = Synth(\bgrain, [\bufnum, d, \amp, 0.05])
+e.set(\amp, 0.1)
+e.release(30)
+
+~grain1 = Synth(\bgrain, [\out, ~reverBus, \bufnum, ~getSmp.("caretaker"), \amp, 0.005])
+~grain1.set(\amp, 0.15)
+~grain1.release(30)
+
+~glgrain1 = Synth(\bgrain, [\out, ~reverBus, ~getSmp.("gl05"), \amp, 0.1])
+~glgrain1.set(\amp, 0.5)
+~glgrain1.release(30)
+
+~lj = Synth(\bgrain, [\bufnum, ~getSmp.("Ljuben"), \amp, 0.1])
+~lj.set(\amp, 0.2)
+~lj.release(60)
+
+~amy = Synth(\bgrain, [\bufnum, ~getSmp.("amywars"), \amp, 0.3 \rate, 1])
+~amy.set(\amp, 1)
+~amy.release(60)
+
+~hS1 = Synth(\henonSynth1, [\out, ~reverBus, \amp, 0.3, \fadeTime, 10])
+~hS1.set(\amp, 0.2 )
+~hS1.set(\pan, -1 )
+~hS1.set(\pan, -1 )
+~hS1.release(60)
+
+~hS2 = Synth(\henonSynth1, [\amp, 0.3, \fadeTime, 10])
+~hS2.set(\pan, 1 )
+~hS2.set(\amp, 0.1 )
+~hS2.release(60)
+
+~dH1 = Synth(\henonLsynth2, [\amp, 0.1, \fadeTime, 30])
+~dH1.set(\amp, 0.8)
+~dH1.release(120)
+
+~esma = Synth(\bgrain, [\bufnum, ~getSmp.("esma1"), \amp, 0.1, \rate, 1])
+~esma.set(\amp, 0.01)
+~esma.set(\out, ~reverBus)
+
+~bgr = Synth(\bgrain, [\bufnum, b, \amp, 0.1])
+~bgr.set(\amp, 0.01)
+
+~bgr2 = Synth(\bgrain, [\out, ~reverBus, \bufnum, b, \amp, 0.1, \rate, 1])
+~bgr2.set(\amp, 0.05)
+~bgr2.release(10)
+
+~cgr1 = Synth(\bgrain, [\bufnum, c, \amp, 0.2, \rate, 1 ])
+~cgr1.set(\amp, 0.05)
+
+Pdef(\bsln1).play.quant_(1);
+Pbindef(\bsln1, \dur, Pseq([1,2,3] * 1/4, inf))
+Pbindef(\bsln1,	\amp, 0.05)
+Pbindef(\bsln1,	\degree, Pseq([2,2,4,1], inf))
+Pbindef(\bsln1,	\legato, 1, \releaseTime, 0.01)
+
+Pdef(\bsln1).stop;
+Pdef(\bsln1).stop;
+
+Pdef(\strng1).play;
+Pdef(\strng1).stop;
+Pbindef(\strng1, \degree, 2)
+Pbindef(\strng1, \oct, Pseq([[6,5,7], [4,5,7], [7,5,4]] -1,inf))
+Pbindef(\strng1, \oct, 3)
+Pbindef(\strng1, \oct, 0)
+Pbindef(\strng1, \dur, 	Pseq([3,2,1] * 2/6,inf))
+
+Pbindef(\strng1, \mtranspose, Pstutter(12, Pseq([1, 0, -2, 3, -3],inf)))
+Pbindef(\strng1, \mtranspose, Pseq([1, 0, -2, 3, -3],inf))
+Pbindef(\strng1, \mtranspose, Pseq([1, 0, -2, 3, -3],inf))
+Pbindef(\strng1, \mtranspose, 1)
+Pbindef(\strng1, \degree, 2)
+P
+	
+
+
+
+
+
+

experiments.scd

@@ -0,0 +1,669 @@
+
+
+(
+SynthDef(\bufCyc, {
+	arg bufnum, gate=1, freq=440, chanDetune=1, out=0, amp = 1, attackTime=0.01, releaseTime=1;
+	
+	var snd, env;
+	
+	env = Linen.kr(gate, attackTime:attackTime, releaseTime:releaseTime, doneAction:2);
+
+	freq = [freq, freq * (1 + (chanDetune * 0.0005))];
+	
+	snd = BufRd.ar(
+		numChannels: 1,
+		bufnum: bufnum,
+		//phase: LFSaw.ar(BufDur.ir(bufnum).reciprocal).range(0, BufFrames.ir(bufnum)),
+		phase: LFSaw.ar(freq).range(0, BufFrames.ir(bufnum)),
+		loop: 1,
+		interpolation: 2);
+
+	snd = snd * amp * env;
+	Out.ar(out, snd); 
+
+}).add;
+)
+
+Pdef(\x32).play
+Pdef(\x32).fadeTime = 0;
+(
+Pdef(\x32,
+	Pbind(
+		\instrument, 	\bufCyc,
+		\bufnum, 		[~getSmp.value("0043"),~getSmp.value("0043")],
+		\octave,		[3,2,4],
+		\degree, 		Pseq([2,2,4,1], inf),
+		\detune,		[0.1,0],
+		\chanDetune,	20,
+		\dur,			Pseq([0.20,0.40,0.60],inf),
+		\legato,		1,
+		\amp,			[0.3,0.5,0.1] * 0.5,
+		\releaseTime,	0.01
+	));
+)
+
+Pdef(\x33).play
+Pdef(\x33).fadeTime = 0;
+(
+Pdef(\x33,
+	Pbind(
+		\instrument, 	\bufCyc,
+		\bufnum, 		[~getSmp.value("0229"),~getSmp.value("0229")],
+		\octave,		Prand([[6,5,7],[4,5,7],[7,5,4]],inf),
+		\degree, 		Pseq([[4,9],2,8,4,1], inf),
+		\mtranspose,	Pseq([Pn([1],10),Pn([0],10)],inf),
+		\detune,		[0,0.3],
+		\chanDetune,	Pseq([-10,0,5,10,-5],inf),
+		\dur,			Pseq([0.20,0.40,0.60],inf),
+		\legato,		0.1,
+		\amp,			[0.3,0.5,0.1] * 0.1,
+		\releaseTime,	Prand([1,2,3,4],inf)
+	));
+)
+///////////////////////////////////////////////////////////////////////////////////
+s.scope
+s.meter
+x = Synth(\bufCyc, [\bufnum, ~getSmp.value("AKWF_0001"),\freq, 41.midicps, \chanDetune, 100]);
+y = Synth(\BufCycle, [\bufnum, ~getSmp.value("AKWF_0001"),\freq, 42.midicps, \chanDetune, 0]);
+x = Synth(\BufCycle, [\bufnum, ~getSmp.value("AKWF_0043"),\freq, 75]);
+x = Synth(\BufCycle, [\bufnum, ~getSmp.value("AKWF_0001")]);
+~getSmp.value("AKWF_0001").plot
+
+s.makeGui
+(
+Ppar([
+Pbind(
+	\instrument, 	\bufCyc,
+	\bufnum, 		~getSmp.value("AKWF_0043"),
+	\octave,		4,
+	\degree, 		Pseq([2,5,4,1], inf),
+	\detune,		-1,
+	\dur,			1,
+	\legato,		0.5,
+	\amp,			0.5,
+	\releaseTime,	0.5
+),
+
+Pbind(
+	\instrument, 	\bufCyc,
+	\bufnum, 		~getSmp.value("AKWF_0043"),
+	\octave,		4,
+	\degree, 		Pseq([2,5,4,1], inf),
+	\detune,		0,
+	\dur,			1,
+	\legato,		0.5,
+	\amp,			0.5,
+	\releaseTime,	0.5
+)]).play;
+)
+
+s.scope
+
+
+
+
+{SinOsc.ar(75) * [0,0.5]}.play
+x.free
+
+a = { 10.rand }; b = a.reciprocal; postln("a: " + a.value); postln("1/" + a.value + " = " + b.value);
+
+	3.reciprocal
+
+
+
+
+
+
+
+
+
+
+
+
+ 
+
+///////////////////////////////////////////////////////////////////////////////////////////
+
+
+
+
+
+
+
+
+
+
+
+~smpBuffers.postln;
+
+x = Synth(\softSaw);
+x.release
+
+y = Synth(\granulator, [\bufnum, ~smpBuffers.at(0)])
+y.set(\amp,0.4)
+y.set(\spread,1)
+y.set(\pan, 0)
+y.set(\gate, 0)
+
+// how to match filename to bufnum
+z = Synth(\bufPlayer, [\bufnum, ~smpBuffers.at("Ljuben Dimkaroski plays the Divje Babe Bone Flute-AZCWFcyxUhQ.wav")])
+z = Synth(\bufPlayer, [\bufnum, ~smpBuffers.detect { |buf| buf.path == "/home/random/Cloud/cloud.tmp.si/Projects/ark'd betwix/scd/smp/Ljuben Dimkaroski plays the Divje Babe Bone Flute-AZCWFcyxUhQ.wav" }])
+z = Synth(\bufPlayer, [\bufnum, ~smpBuffers.detect { |buf| "Divje Babe Bone Flute".matchRegexp(buf.path) }])
+z = Synth(\bufPlayer, [\bufnum, ~getSmp.value("Divje Babe Bone Flute")])
+~getSmp.value("AKWF_0043"),
+~smpBuffers.detect { |buf| buf.path == .... }
+
+z.free
+
+
+
+~smpBuffers.dump
+
+
+
+
+
+
+///////////////////////////////////////////////////////////////////////////////////////////
+
+~smpBuffers[1].plot
+
+// buffer oscilator
+(
+Ndef(\bosc, {
+	var buffer = ~getSmp.value("AKWF_0001"), freq = 30, oscDetune = 1.01, amp = 0.2;
+	BufRd.ar(1, bufnum:buffer, phase: LFSaw.ar([freq,freq*oscDetune]) * BufFrames.ir(buffer)) * amp
+	//+ SinOsc.ar(60.2) * 0.5;
+} );
+)
+
+Ndef(\bosc).play
+Ndef(\bosc).fadeTime=2;
+Ndef(\bosc).clear
+
+///////////////////////////////////////////////////////////////////////////////////////////////
+// creating buffers and filling them with waveforms
+
+a = Harmonics.new(16);    // just returns an instance of Harmonics with size
+b = Buffer.alloc(s, 512, 1);
+(
+z = SynthDef("help-Osc",{ arg out=0,bufnum=0;
+    Out.ar(out,
+        LeakDC.ar(
+			Osc.ar(bufnum, [50,50.2], 0, 0.5) +
+			Osc.ar(bufnum, [50.01,50.21], 0, 0.5)
+		)
+    )
+});
+)
+a.ramp(1.0, 2.0);   
+a.ramp(0.5, -0.025)
+
+(
+b.sine2(
+	freqs: a.ramp(1,1).postln,
+	amps: a.ramp(0, 0.01).postln,
+	amps: [0.8,0,0.1,0,0,0.1,0,0,0.01,0,0.01,0,0.02,0,0,0].postln,
+	normalize:false, asWavetable:true, clearFirst:true);
+)
+b.plot
+
+
+a.formant(6, 4);
+(
+b.sine2(
+	freqs: a.ramp(0,0.1).postln,
+	amps: a.ramp(1,3),
+	normalize:true, asWavetable:true, clearFirst:true).plot;
+)
+b.sine2(a.ramp(1.0,0.1).postln, a.geom(1.2), true, true, true);
+c = b.plot;
+
+y = z.play(s,[\out, 0, \bufnum, b]);
+y.free;
+
+{SinOsc.ar()}.play
+
+(
+z = SynthDef("help-Osc",{ arg out=0,bufnum=0;
+    Out.ar(out,
+        Osc.ar(bufnum, 200, 0, 0.5)
+    )
+});
+)
+
+
+////////////////////
+a.ramp(1.0, 1.0);    // returns a harmonic series
+
+b = Buffer.alloc(s, 512, 1);
+// harmonic series for freqs, ramp down for amps
+b.sine2(a.ramp(1.0, 1.0).postln, a.ramp(0.5, -0.025).postln, true, true, true);
+(
+z = SynthDef("help-Osc",{ arg out=0,bufnum=0;
+    Out.ar(out,
+        Osc.ar(bufnum, 200, 0, 0.5)
+    )
+});
+)
+y = z.play(s,[\out, 0, \bufnum, b]);
+y.free;
+
+a.decay(1.0);
+
+b.sine2(a.rand(0.1, 0.9).postln, a.rand(0,1).postln, true, true, true);
+b.plot
+y = z.play(s,[\out, 0, \bufnum, b]);
+y.free;
+
+
+
+a.teeth(6, 4);
+
+b.sine2(a.teeth(6, 4).postln, a.teett(2.2).postln, true, true, true);
+y = z.play(s,[\out, 0, \bufnum, b]);
+b.sine2(a.teeth(9, 1).postln, a.geom(1.2), true, true, true);
+b.sine2(a.teeth(1, 3).postln, a.geom(1.2), true, true, true);
+b.sine2(a.teeth(2, 3).postln, a.geom(1.2), true, true, true);
+y.free;
+
+///////////////////////////////////////////////////////////////////////////////////////////
+
+// create a stere bus of verbDelayFX
+~reverBus = Bus.audio(s,2);
+
+
+Ndef(\ba).play(~reverBus, addAction: \addToHead)
+
+// reverb delay
+~reverbDelay = Synth(\verbDelayFX, [\inBus, ~reverBus, \outBus, 0], addAction: \addAfter);
+~reverbDelay = Synth(\verbDelayFX, [\inBus, ~reverBus, \outBus, 0], addAction: \addToTail);
+~reverbDelay = Synth(\verbDelayFX, [\inBus, ~reverBus, \outBus, 0]);
+
+~reverbDelay.set(\revWet, 1);
+~reverbDelay.set(\dlyWet, 0.5);
+
+~reverbDelay.free
+
+
+Ndef(\ba).fadeTime=0.01; // for Patterns we don't want crossfade, but quantization
+
+// set default quant
+Ndef(\ba).proxyspace.quant = 2;
+
+(
+Ndef(\ba, 
+	Pbindf(
+		Ppar([
+			Pbind(
+				\octave, [4,5,7],
+				\amp, [0.1,0.2,0.005], 
+				\degree, Pseq([0,3,4,2,6,Prand([3,4,2,6])], inf),
+				\dur, Prand([1,0.5,2], 250),
+			),		
+			Pbind(
+				\octave, [3,6],
+				\degree, Pseq([[0,-3],4,6,3,2], inf),
+				\dur, Pseq([Rest(30),Pseq([3.5,5], 30)]),
+				//\dur, Pseq([3.5,5], 30),
+				\amp, 0.05,
+				\legato, 0.6,
+				\attackTime, 2,
+				\releaseTime, 2,
+			)]),
+		// common parameters
+		\instrument, \sinPulz,
+		\oscDetune, Prand([1,3,5,7]*0.01, inf),
+		\scale, Pseq([Scale.minor.tuning_(\et12),Scale.minor.tuning_(\et12),Scale.minor.tuning_(\just)],inf),
+		\cutoff, Prand([0.5,1,1.5], inf),
+		\mtranspose, Pseq([Pn([1],30),Pn([2],10),Pn([1],20),Pn([0],5)],inf),
+		\out, ~reverBus
+	))
+)
+
+Ndef(\ba).play
+
+Tuning.directory
+Ndef(\ba).stop(1);
+Ndef(\ba).clear;
+
+////////////////////////////////////////////////////////////////////////////////////////////
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+///////////////////////////////////////////////////////////////////////////////////////
+
+//testng patterns
+
+(
+Pbind(
+	\instrument, 	\softSaw,
+	\octave,		2,
+	\degree, 		Pseq([2,5,4,1], inf),
+	\dur,			3,
+	\legato,		1,
+	\amp,			0.5,
+	\releaseTime,	0
+).play;
+)
+
+
+
+
+////////////////////////////////////////////////////////////////////////////////////////
+
+
+// PlayBufer:
+(
+SynthDef(\bufPlayer, {|out = 0, bufnum = 0 |
+	Out.ar(out,
+		PlayBuf.ar(1, bufnum, BufRateScale.kr(bufnum), loop: 1.0)
+	)
+}).play(s, [\bufnum, ~smpBuffers.at(0)]);
+)
+
+~bufplay = Synth(\bufPlayer, [ \bufnum, ~smpBuffers.at(0)])
+
+(
+SynthDef(\granulator, {
+	arg out = 0, bufnum = ~smpBuffers.ar(2), dur=0.2, freq=140, amp=0.2;
+	var snd;
+
+	snd = GrainBuf.ar(numChannels: 2,
+		trigger: Impulse.kr(freq * LFNoise0.kr(freq).range(0.5,1.5)),
+		dur: dur,
+		sndbuf: bufnum,
+		rate: [0.2,0.3,0.4,0.5],
+		pos:LFTri.ar(0.0001, iphase:[0.5,1,0,2]).range(0,1),
+		interp: 4,
+		maxGrains: 1024,
+		pan: [
+			LFNoise1.kr(0.1).range(-1,1),
+			LFNoise1.kr(0.1).range(-1,1),
+			LFNoise1.kr(0.1).range(-1,1),
+			LFNoise1.kr(0.1).range(-1,1)
+			]
+	);
+
+	snd = Splay.ar(snd, spread:1);
+	
+	Out.ar(out, snd * amp);
+}).play;
+)
+
+~smpBuffers.do(_.free);
+~smpBuffers.at(0).free;
+s.meter
+
+(
+SynthDef("sawM", {
+	arg out=0, freq=90, gate=1, fadeTime=1, amp=0.5;
+	var snd, env;
+
+	snd = Saw.ar({freq/2 * LFNoise1.ar().range(0.95,1.05)  } ! 2)
+	+ Saw.ar({freq * LFNoise1.ar().range(0.95,1.05)  } ! 2, )
+	//+ (Saw.ar({freq * 2 * LFNoise1.ar().range(0.95,1.05) } ! 2) * 0.4)
+	//	+ (Saw.ar({freq * 4 * LFNoise1.ar().range(0.95,1.05) } ! 2) * 0.2)
+	;
+	//snd = Saw.ar({freq/2 * LFNoise1.ar().range(0.95,1.05)} ! 4);
+	//snd = snd + Saw.ar([freq/2,freq]/2 * LFNoise1.ar().range(0.95,1.05))!3;
+	snd = Splay.ar(snd, spread:1, level:1, center:0);
+ 	env = EnvGen.kr( Env([0, 1, 0], [fadeTime, fadeTime], \sin, 1),
+        gate, doneAction: Done.freeSelf);
+
+	snd = snd * env * amp;
+
+	Out.ar(out, snd);
+}).play;
+);
+s.scope
+
+// load samples
+
+
+
+// load busses
+
+
+
+// load patterns
+
+2.rand
+
+
+
+
+
+
+
+
+(
+x = { arg spread=1, level=1, center=0.0;
+ Splay.ar(
+  SinOsc.ar( { |i| LFNoise2.kr(1).exprange(200, 4000) } ! 10) * -12.dbamp,
+  spread,
+  level,
+  center
+ );
+}.play;
+)
+
+
+
+b = Buffer.read(s, Platform.resourceDir +/+ "sounds/a11wlk01.wav");
+
+(
+x = {
+	arg out = 0, bufnum, dur=0.2, freq=140, amp=0.5;
+	var snd;
+
+	snd = GrainBuf.ar(numChannels: 2,
+		trigger: Impulse.kr(freq * LFNoise0.kr(freq).range(0.5,1.5)),
+		dur: dur,
+		sndbuf: bufnum,
+		rate: [0.2,0.3,0.4,0.5],
+		pos:LFTri.ar(0.01, iphase:[0.5,1,0,2]).range(0,1),
+		interp: 4
+	);
+
+	//snd = [snd.at(0),snd.at(1)] + [snd.at(3),snd.at(2)] * 0.2;
+	snd = Splay.ar(snd * amp, spread:1);
+	//Mix(snd * 0.25);
+	
+	//Out.ar(out, snd);
+}.play(s,[\bufnum, b]);
+)
+
+s.scope
+
+
+
+{ Mix.new([ PinkNoise.ar(0.1), FSinOsc.ar(801, mul:0.1), LFSaw.ar(40, mul:0.1)]) }.play
+
+
+(
+play({
+    VarSaw.ar(
+        freq:    LFPulse.kr([1,4], 0, 0.3, 200, 200), // freq
+        iphase:  0,
+        width:   LFTri.kr(0.2).range(0,1), //width
+        mul:     0.1)
+});
+
+)
+
+
+(
+play({
+	VarSaw.ar([50,50.5], 0, SinOsc.kr(0.01,1).range(0.05,0.95), 0.5)!2
+	+ VarSaw.ar([101,99.3], 0, SinOsc.kr(0.06,0).range(0.2,0.8) , 0.5)!2 * 0.2
+});)
+
+
+(
+SynthDef(\softSaw, {
+	arg out = 0, freq = 40, detune = 0.1, amp = 1, pan = 0,
+	gate = 1, attackTime = 0.1, susLevel = 1.0, releaseTime = 1.0;
+	var env, snd;
+	detune = detune * 0.1;
+	amp = amp * 0.4;
+
+	env = Linen.kr(gate, attackTime, susLevel, releaseTime);
+
+	snd = VarSaw.ar(
+		freq: [freq, freq * (1.003+detune)],
+		width: SinOsc.kr(0.01,0.2).range(0.05,0.095));
+	snd = snd + VarSaw.ar(
+		freq: [(freq*2 * (1.001-detune)),(freq*2 * (1+detune))],
+		width: SinOsc.kr(0.06,0.8).range(0.2,0.8));
+
+	
+	snd = Balance2.ar(snd.at(0), snd.at(1), pos: pan);
+	
+	snd = snd * amp * env;
+
+	Out.ar(out, snd);
+	
+}).play);
+
+
+
+Linen.kr()
+
+
+
+
+
+(
+SynthDef(\granulator, {
+	
+	arg out = 0, bufnum = ~getSmp.value("AKWF_0042"), grainDur=0.2, grainFreq=40, amp=0.2,
+	gate = 1, attackTime = 0.1, susLevel = 1.0, releaseTime = 1.0,
+	spread = 1, pan = 0, seed = 1924, id=0;
+	var snd, env;
+	
+    RandID.ir(id);
+    RandSeed.ir(1, seed);
+	spread = spread * abs(abs(pan)-1);
+
+	env = Linen.kr(gate, attackTime, susLevel, releaseTime);
+	snd = GrainBuf.ar(numChannels: 1,
+		trigger: Impulse.kr(grainFreq * LFNoise0.kr(grainFreq).range(0.5,1.5)),
+		dur: grainDur,
+		sndbuf: bufnum,
+		//rate: [0.2,0.3,0.4,0.5],
+		rate: 1,
+		pos:LFTri.ar(0.0001, iphase:[IRand(0,1),IRand(0,1),IRand(0,1),IRand(0,1)]).range(0,1),
+		interp: 4,
+		maxGrains: 1024,
+		pan: [ LFNoise1.kr(0.1).range(-1,1),
+			   LFNoise1.kr(0.1).range(-1,1),
+			   LFNoise1.kr(0.1).range(-1,1),
+			   LFNoise1.kr(0.1).range(-1,1) ]
+	);
+	snd = Splay.ar(snd, spread:spread, level:amp, center: pan);
+	snd = snd * env;
+	
+	Out.ar(out, snd);
+}).play;
+);
+
+
+
+
+
+
+
+
+
+
+(
+SynthDef(\amodulor, {
+	arg out = 0;
+	var snd;
+
+	
+	
+	snd = Pan2.ar(snd);
+	Out.ar(out, snd);
+}).play;
+)
+
+
+
+Ndef(\amodulor).play;
+Ndef(\amodulor).fadeTime = 1;
+
+(
+SynthDef(\amodulor, {
+	var snd, freq, ampmod;
+	freq = Env.new([500, 70, 40],[0.02, 1]).kr;
+	ampmod = LFSaw.ar(SinOsc.kr(0.1).range(22,39)).range(0,1);
+	snd = SinOsc.ar([freq,freq*1.9], mul:ampmod) * Env.perc(0.01, 1).kr(2)!2;
+	snd = LPF.ar(snd, Env.perc(0.001,0.3).kr(0) * 5000 + 200);
+	Out.ar(0, snd * 0.5);
+}).add;
+)
+
+Pdef(\kicker).play(t)
+
+TempoClock.default = 90/60;
+t = TempoClock.tempo = 90/60;
+TempoClock.default;
+
+(
+Pdef(\kicker, Ppar([
+	Pbind(\instrument, \amodulor,
+		\dur, Pseq([3/4,2/4,4/4,4/4,1/8,2/4,1/8], inf)
+		
+		),
+	Pbind(\instrument, \sn,
+		\dur, Pseq([Rest(1),4/4]/2, inf),
+		\amp, 0.7
+		//\dur, 1
+		
+	)
+
+]))
+
+)
+
+
+{SinOsc.ar * 0}.play
+
+

init.scd

@@ -0,0 +1,42 @@
+
+// LOADS ALL .scd files in lib/ folder and samples in smp/ folder
+
+// library path
+var libPath = PathName(thisProcess.nowExecutingPath.dirname +/+ "lib");
+// samples path
+var smpPath = PathName(thisProcess.nowExecutingPath.dirname +/+ "smp");
+
+
+// load samples 
+"\n--- load samples: ...".postln;
+
+// free all buffers to restart buffer count
+~smpBuffers.do(_.free); 
+
+// create Dictionary
+~smpBuffers = Dictionary();
+
+// iterate over each file in the folder
+smpPath.filesDo({ |smpfile,i|
+	
+	// tell me what you are loading:
+	postln("   " + i + smpfile.fileName );
+	
+	// add a sample into a buffer, store object to Dictionary
+	~smpBuffers.add(smpfile.fileName -> Buffer.readChannel(s,
+		smpfile.fullPath, channels:[0]));
+});
+
+// load libs 
+"\n--- load libs: ...".postln;
+
+// for each files in that lib folder 
+libPath.filesDo({|afile|
+	// tell me what you're executing:
+	postln("    ." + afile.fileName);
+
+	// execute it:
+	this.executeFile(afile.fullPath);	
+});
+
+"\n\n=== \n".postln;

lib/bufCyc.scd

@@ -0,0 +1,30 @@
+
+SynthDef(\bufCyc, {
+	arg bufnum, gate=1, freq=440, chanDetune=1, out=0, amp = 1,
+	attackTime=0.01, releaseTime=1
+	//, lpf=10, freso=0, fdist=0
+	;
+	var snd, env, lpfreq;
+	
+	env = Linen.kr(gate, attackTime:attackTime, releaseTime:releaseTime, doneAction:2);
+	freq = [freq, freq * (1 + (chanDetune * 0.0005))];
+	snd = BufRd.ar(
+		numChannels: 1,
+		bufnum: bufnum,
+		phase: LFSaw.ar(freq).range(0, BufFrames.ir(bufnum)),
+		loop: 1,
+		interpolation: 2);
+
+	/*	lpfreq = freq * lpf;
+	lpfreq = lpfreq.max(100);
+	lpfreq = lpfreq.min(18000);
+
+	//snd = RLPFD.ar(snd, lpfreq, freso, fdist) * 3; 
+	*/
+
+	snd = snd * amp * env;
+	Out.ar(out, snd); 
+}).add;
+
+
+

lib/bufPlayer.scd

@@ -5,3 +5,21 @@ SynthDef(\bufPlayer, {|out = 0, bufnum = 0 |
 	)
 }).add;
 );
+
+
+(
+SynthDef(\smplr, {|out = 0, revBus, bufnum = 0, gate = 1, amp = 1, pan = 0, rate = 1, revWet = 0 |
+	var snd, env;
+
+	snd = PlayBuf.ar(1, bufnum, BufRateScale.kr(bufnum) * rate, loop: 0);
+	env = EnvGen.kr(envelope: Env.cutoff(0.001,1), gate: gate, doneAction:Done.freeSelf);
+	snd = snd * env * amp;
+	snd = Pan2.ar(snd, pan);
+	Out.ar(out, snd);
+
+	//Out.ar(revBus * revWet, snd);
+	
+}).add;
+);
+
+

lib/drums1.scd

@@ -0,0 +1,226 @@
+
+// "additive synth kick"
+SynthDef(\addbd, {
+	arg out=0, freq=77, amp=0.1;
+	var osc, clip, env, penv, nenv;
+	
+	penv = EnvGen.ar(
+		Env(levels: [1, 1, 0.5 ], times:[ 0.01, 0.3 ], curve:[0,0])
+	);
+	osc = FSinOsc.ar([freq,freq*1.01] * penv);
+
+	nenv = EnvGen.ar(Env(levels:[1,1,0], times:[0.001,0.008], curve:0));
+	osc = osc + (BPF.ar(WhiteNoise.ar(0.05), freq * 100,0.1) * nenv);
+	osc = osc + (BPF.ar(WhiteNoise.ar(0.05), freq * 70,0.1) * nenv);
+	osc = osc + (BPF.ar(WhiteNoise.ar(0.1), freq * 33,0.1) * nenv);
+
+	osc = osc + (BPF.ar(WhiteNoise.ar(0.1), freq * 19, 0.3)
+		* EnvGen.ar(Env(levels: [1,1,0], times: [0.1,1], curve:-9)) * 0.1
+	);
+	
+	env = EnvGen.ar(Env.perc(0, 0.55), doneAction: 2);
+	osc = osc * env;
+	osc = osc.softclip;
+	Out.ar(out, Pan2.ar(osc[0]+osc[1] * amp, 0));
+}).add;
+
+(
+// "LFTri bass drum kick" - by luka@lukaprincic.si
+SynthDef(\tribd, {
+	arg out=0, gate=1, freq=77, amp=0.1;
+	var snd, aenv, fenv, senv;
+
+	fenv = Env(levels:[2, 1.2, 0], times: [0.1, 0.4]).kr;
+	freq = [freq,freq*2] * fenv;
+	freq = freq.max(10);
+
+	snd = LFTri.ar(freq) + SinOsc.ar(freq) * [1,0.3];
+	snd = snd.sum * 0.9;
+	snd = LPF.ar(snd, freq * 4);
+
+	snd = snd + RLPF.ar( BrownNoise.ar(1),
+		Env(levels:[2000,500,90], times:[0.01,0.05]).kr, 0.3 );
+
+	snd = snd + ( BPF.ar(WhiteNoise.ar(0.9), 3000) 
+		* Env([1,1,0], [0.004,0.005]).kr );
+	snd = snd + ( BPF.ar(WhiteNoise.ar(2), 9000) 
+		* Env([1,1,0], [0.013,0.001]).kr );
+	
+	aenv = Env([1,1,0], [0.2,2], curve: -9).kr;
+	snd = snd * aenv;
+	snd = Limiter.ar(snd, 8);
+	
+	senv = Linen.kr(releaseTime: 0.1, gate: gate, doneAction: Done.freeSelf);
+	snd = LeakDC.ar(snd);
+	snd = snd * amp * senv;
+	snd = Pan2.ar(snd, pos:0);
+	snd = snd.clip2;
+	Out.ar(out, snd);
+}).add;
+);
+
+
+/////////////////////////////////////////////////////////////////
+// SC-808 drum kit
+
+// SC808 drum snare
+SynthDef.new(\sc808sn, {
+	arg amp=2, tone=340, tone2=189, snappy=0.7, gate=1, amp2=1, out=0;
+	var noiseEnv, atkEnv, sig, noise, osc1, osc2, sum;
+	noiseEnv = EnvGen.kr(Env.perc(0.001, 4.2, 1, -115), doneAction:0);
+	atkEnv = EnvGen.kr(Env.perc(0.001, 0.8,curve:-95), doneAction:2);
+	noise = WhiteNoise.ar;
+	noise = HPF.ar(noise, 1800);
+	noise = LPF.ar(noise, 8850);
+	noise = noise * noiseEnv * snappy;
+	osc1 = SinOsc.ar(tone2, pi/2) * 0.6;
+	osc2 = SinOsc.ar(tone, pi/2) * 0.7;
+	sum = (osc1+osc2) * atkEnv * amp2;
+	sig = Pan2.ar(((noise*1) + sum) * amp * 2.5, 0);
+	sig = HPF.ar(sig, 340);
+	Out.ar(out, sig);
+}).add;
+
+SynthDef.new(\sc808clap, {
+	arg amp=1, gate=0, out=0;
+	var atkenv, atk, decay, sum, denv;
+	atkenv = EnvGen.kr(Env.new([0.5,1,0],[0, 0.3], -160), doneAction:2);
+	denv = EnvGen.kr(Env.dadsr(0.026, 0, 6, 0, 1, 1, curve:-157), doneAction:0);
+	atk = WhiteNoise.ar * atkenv * 1.4;
+	decay = WhiteNoise.ar * denv;
+	sum = atk + decay * amp;
+	sum = HPF.ar(sum, 500);
+	sum = BPF.ar(sum, 1062, 0.5);
+	Out.ar(out, Pan2.ar(sum * 1.5, 0));
+}).add;
+
+SynthDef.new(\sc808rimshot, {
+	arg amp=1, out=0;
+	var fenv, env, sig, punch, tri1, tri2;
+	env = EnvGen.kr(Env.new([1, 1, 0], [0.00272, 0.07], -42), doneAction:2);
+	tri1 = LFTri.ar(1667 * 1.1, 1) * env;
+	tri2 = LFPulse.ar(455 * 1.1, width:0.8) * env;
+	punch = WhiteNoise.ar * env * 0.46;
+	sig = tri1 + tri2 + punch;
+	sig = BPeakEQ.ar(sig, 464, 0.44, 8);
+	sig = HPF.ar(sig, 315);
+	sig = LPF.ar(sig, 7300);