expanded Lorenz patterns
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1e7deb1e21
commit
4132ead2bf
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@ -1,7 +1,7 @@
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( // basic synth SynthDef
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( // basic synth SynthDef
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SynthDef(\blipo, { | out, freq = 440, amp = 0.1, nharms = 10, pan = 0, gate = 1, sustain |
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SynthDef(\blipo, { | out, freq = 440, amp = 0.1, nharms = 10, pan = 0, gate = 1, sustain, attack=0.1 |
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var audio = Blip.ar(freq * (SinOsc.kr(3).range(1,1.01)), nharms, amp);
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var audio = Blip.ar(freq * (SinOsc.kr(3).range(1,1.01)), nharms, amp);
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var env = Linen.kr(gate, releaseTime: sustain, doneAction: Done.freeSelf);
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var env = Linen.kr(gate, attackTime: attack, releaseTime: sustain, doneAction: Done.freeSelf);
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OffsetOut.ar(out, Pan2.ar(audio, pan, env) );
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OffsetOut.ar(out, Pan2.ar(audio, pan, env) );
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}).add;
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}).add;
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@ -18,18 +18,37 @@ SynthDef("reverbo", { arg outBus = 0, inBus, wet = 0.1;
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(
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(
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// start reverb effect on the private bus
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// start reverb effect on the private bus
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~fxRev = Synth("reverbo", [\inBus, ~revbus, \wet, 0.6]);
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~fxRev = Synth("reverbo", [\inBus, ~revbus, \wet, 0.9]);
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Pbind(
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~dotsP = Pbind(
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\dur, Pflatten(1, Plorenz() * 1),
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\attack, 0.01,
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\octave, 3,
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\nharms, Prand((2..7),500) );
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~linesP = Pbind(
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\dur, Pflatten(1, Plorenz() * 5),
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\attack, 3,
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\octave, Prand([2,3,4],inf),
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\nharms, Prand((1..4),80),
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\amp, 0.075 );
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~highP = Pbind(
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\dur, Pflatten(1, Plorenz() * 5),
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\attack, 3,
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\octave, 5,
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\nharms, Prand((1..3),50),
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\amp, 0.008 );
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Pbindf(
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Ptpar([ 0, ~dotsP, 60, ~linesP, 160, ~highP]),
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\instrument, \blipo,
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\instrument, \blipo,
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\dur, Pflatten(1, Plorenz() * 0.8),
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\degree, (Pflatten(1, Plorenz()) * 18).asInteger,
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\degree, (Pflatten(1, Plorenz()) * 18).asInteger,
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\mtranspose, Prand([Pn(0,24),Pn(2,24),Pn(4,24)], inf),
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\mtranspose, Prand([Pn(0,24),Pn(2,24),Pn(4,24)], inf),
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\detune, Prand([0,1,2,0.5,1.5], inf),
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\detune, Prand([0,1,0.5,1.5], inf),
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\nharms, Prand((2..10),300),
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\scale, Scale.minor(\just),
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\octave, 3,
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\legato, Prand((4..7),inf) * 0.2,
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\legato, Prand((4..7),inf) * 0.2,
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\pan, Prand((-10..10),inf) * 0.1,
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\pan, Prand((-10..10),inf) * 0.1,
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\out, ~revbus
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\out, ~revbus
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).play;
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).play;
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)
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)
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