( /* ************************************************************************* _____ ____ __. /\ ____________________ _____ / | || |/ _| / / \______ \______ \/ \ / | || < / / | | _/| ___/ \ / \ / ^ / | \ / / | | \| | / Y \ \____ ||____|__ \ / / |______ /|____| \____|__ / |__| \/ \/ \/ \/ __________________ .____ ________ __ / _____/\_ ___ \| | \_____ \_______| | __ \_____ \ / \ \/| | / | \_ __ \ |/ / / \\ \___| |___/ | \ | \/ < /_______ / \______ /_______ \_______ /__| |__|_ \ \/ \/ \/ \/ \/ v150403 "4K/BPM SCLOrk" for Santa Clara University Laptop Orchestra by Luka Prinčič / Nova deViator thanks to Bruno Ruviaro adapted from 4K/BPM Sonoretum patch, released and installed at Sonoretum project / Kapelica Gallery, Ljubljana thanks to Marko Košnik, Sandra Sajovic and Jurij Krpan released under GNU GPL. feel free to copy, reuse, remix, provided that you share under same conditions: GNU GPL. ***************************************************************************** */ /* ************************************************************************************* MIDI CONTROLS ************* GAINS: midi */ MIDIdef.cc(\midilfTri, { | val | ~lfTri.set(\gain, val/127); }, 0 ); MIDIdef.cc(\midikindaBass, { | val | ~kindaBass.set(\gain, val/127); }, 1 ); MIDIdef.cc(\midiwierdBleep, { | val | ~wierdBleep.set(\gain, val/127); }, 2 ); MIDIdef.cc(\midisine666, { | val | ~sine666.set(\gain, val/127); }, 3 ); MIDIdef.cc(\midilFPar1, { | val | ~lFPar1.set(\gain, val/127); }, 4 ); MIDIdef.cc(\midilowCub, { | val | ~lowCub.set(\gain, val/127); }, 5 ); MIDIdef.cc(\midimidCub, { | val | ~midCub.set(\gain, val/127); }, 6 ); MIDIdef.cc(\midihiCub, { | val | ~hiCub.set(\gain, val/127); }, 7 ); MIDIdef.cc(\midiaddCub, { | val | ~addCub.set(\gain, val/127); }, 8 ); MIDIdef.cc(\midisine356, { | val | ~sine365.set(\gain, val/127); }, 9 ); MIDIdef.cc(\midisin800, { | val | ~sin800.set(\gain, val/127); }, 10 ); MIDIdef.cc(\midisin5800, { | val | ~sin5800.set(\gain, val/127); }, 11 ); MIDIdef.cc(\midicub820, { | val | ~cub820.set(\gain, val/127); }, 12 ); MIDIdef.cc(\midilfPar7820, { | val | ~lfPar7820.set(\gain, val/127); }, 13 ); MIDIdef.cc(\midiwhite1, { | val | ~white1.set(\gain, val/127); }, 14 ); MIDIdef.cc(\midiwhite2, { | val | ~white2.set(\gain, val/127); }, 15 ); MIDIdef.cc(\midiwhite3, { | val | ~white3.set(\gain, val/127); }, 16 ); MIDIdef.cc(\midiwhite4, { | val | ~white4.set(\gain, val/127); }, 17 ); MIDIdef.cc(\midisine56, { | val | ~sine65.set(\gain, val/127); }, 18 ); MIDIdef.cc(\midilowCub2, { | val | ~lowCub2.set(\gain, val/127); }, 19 ); // effects and master out midi control MIDIdef.cc(\midifXcombWet, { | val | ~fX.set(\combWet, val/200); }, 60 ); // comb filter WET MIDIdef.cc(\midifXlpfCutoff, { | val | var cutoff; cutoff = (exp(val/12)+50).asInt.min(20000); ~fX.set(\lpfCutoff, cutoff); }, 61 ); // LPF cutoff freq MIDIdef.cc(\midifXreverbWet, { | val | ~fX.set(\reverbWet, val/300); }, 62 ); // Reverb WET MIDIdef.cc(\midifXgain, { | val | ~fX.set(\gain, val/127); }, 63 ); // MASTER OUT /* ************************************************************************************* SCHEDULE SYNTHS USING EVENTS **************************** */ v = Main.elapsedTime.ceil; t = TempoClock(1, 0, v); t.schedAbs(0, { ~fX = (instrument: \fX).play; ~kindaBass = (instrument: \kindaBass).play; ~wierdBleep = (instrument: \wierdBleep).play; ~sine666 = (instrument: \sine666).play; ~lFPar1 = (instrument: \LFPar1).play; ~lowCub = (instrument: \lowCub).play; ~lowCub2 = (instrument: \lowCub2).play; ~midCub = (instrument: \midCub).play; ~hiCub = (instrument: \hiCub).play; ~addCub = (instrument: \addCub).play; ~sine365 = (instrument: \sine365).play; ~sine65 = (instrument: \sine65).play; ~sin800 = (instrument: \sin800).play; ~sin5800 = (instrument: \sin5800).play; ~cub820 = (instrument: \cub820).play; ~lfPar7820 = (instrument: \lfPar7820).play; ~white1 = (instrument: \white1).play; ~white2 = (instrument: \white2).play; ~white3 = (instrument: \white3).play; ~white4 = (instrument: \white4).play; ~lfTri = (instrument: \lfTri).play; postln(v); }); // HERE BE SOME FUNKY VARIABLES /////////////////////////////////////// // SCALES! // ~aSc = Scale.minorPentatonic; // define scale type ~freqTrig = { Impulse.kr(rrand(0.01,0.05)); }; // how fast the note changes ~freqOff = {rrand(0.98, 1.02);}; // detune a bit // define one var for each octave for use in SynthDefs ~freqVar3 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 3) ).midicps * ~freqOff }; ~freqVar4 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 4) ).midicps * ~freqOff }; ~freqVar5 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 5) ).midicps * ~freqOff }; ~freqVar6 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 6) ).midicps * ~freqOff }; ~freqVar7 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 7) ).midicps * ~freqOff }; ~freqVar8 = { (Demand.kr(~freqTrig, 0, (Dxrand(~aSc.semitones, inf))) + (12 * 8) ).midicps * ~freqOff }; ~chanExpan = [1,1]; // multi channel expansion (just stereo here) ~bpm = 1; // bpm, for now constant, it could drift... /* ************************************************************************************* DEFINE SYNTHS AND ADD TO SERVER ******************************* */ SynthDef(\kindaBass, { | out=0, gain=0 | out = SinOsc.ar( ((LFSaw.kr(-0.05,1) + 1) * 100 + 40 ), LFTri.kr(40,0,1), LFSaw.kr(1.5 * ~bpm) ) * 0.5 * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\wierdBleep, { | out=0, gain=0 | out = LFPulse.ar(~freqVar3, 0, 0.5, LFPulse.kr((1/2) * ~bpm, 0.5, 0.03, 0.05)) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\sine666, { | out=0, gain=0 | out = SinOsc.ar(~freqVar4, 0, LFPulse.kr((2/3) * ~bpm, 0.5, 0.3) * 0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\LFPar1, { | out=0, gain=0 | out = LFPar.ar(~freqVar4, 0, LFPulse.kr((1/2) * ~bpm, 0.5,0.2) * 0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\lowCub, { | out=0, gain=0 | out = LFCub.ar(~freqVar3, 0, LFPulse.kr((1/2) * ~bpm, 0.74,0.2) * 0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\lowCub2, { | out=0, gain=0 | out = LFCub.ar(~freqVar3, 0, LFPulse.kr((4/3) * ~bpm, 0.74,0.2) * 0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\midCub, { | out=0, gain=0 | out = LFCub.ar(~freqVar5, 0, LFPulse.kr((1/2) * ~bpm, 0.74,0.1) * 0.2) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\hiCub, { | out=0, gain=0 | out = LFCub.ar(~freqVar7, 0, LFPulse.kr((4/3) * ~bpm, 0.76, SinOsc.kr(rrand(0.01,0.001),mul:0.05, add:0.055)) * 0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\addCub, { | out=0, gain=0 | out = LFCub.ar(~freqVar7, 0, LFPulse.kr((5/3) * ~bpm, 0.24, SinOsc.kr(rrand(0.01,0.001),mul:0.05, add:0.055) )*0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\sine65, { | out=0, gain=0 | out = SinOsc.ar(~freqVar3, 0, LFPulse.kr( (1) * ~bpm, 0, 0.1)*0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\sine365, { | out=0, gain=0 | out = SinOsc.ar(~freqVar4, 0, LFPulse.kr( (4/3) * ~bpm, 0, 0.1)*0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\sin800, { | out=0, gain=0 | out = SinOsc.ar(~freqVar5, 0, LFPulse.kr(2 * ~bpm,0,0.1)*0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\sin5800, { | out=0, gain=0 | out = SinOsc.ar(~freqVar8, 0, LFPulse.kr(2 * ~bpm,0, SinOsc.kr(rrand(0.01,0.001),mul:0.05, add:0.055))*0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\cub820, { | out=0, gain=0 | out = LFCub.ar(~freqVar5, 0, LFPulse.kr( (5/3) * ~bpm, 0, 0.1)*0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\lfPar7820, { | out=0, gain=0 | out = LFPar.ar(~freqVar8, 0, LFPulse.kr( (5/3) * ~bpm, 0, 0.03)*0.1) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\white1, { | out=0, gain=0 | out = WhiteNoise.ar( LFPulse.kr(2 * ~bpm,0.5,0.001,1) )/2 * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\white2, { | out=0, gain=0 | out = WhiteNoise.ar( LFPulse.kr(1 * ~bpm,0.5,0.001,1) )/2 * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\white3, { | out=0, gain=0 | out = WhiteNoise.ar( LFPulse.kr( (5/3) * ~bpm,0.5,0.001,1) )/4 * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\white4, { | out=0, gain=0 | out = WhiteNoise.ar( LFPulse.kr( (4/3) * ~bpm,0.5,0.001,1) )/4 * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; SynthDef(\lfTri, { | out=0, gain=0 | out = LFTri.ar(~freqVar4, 0, LFPulse.kr(0.5 * ~bpm,0.25,0.01)*0.3) * ~chanExpan * gain; OffsetOut.ar(0, out); }).add; // effects! SynthDef(\fX, { | in=0, out=0, reverbWet=0, combWet=0, lpfCutoff=20000, gain=0.4 | var input, output; input = In.ar(in, 2); output = CombC.ar(in:input, // comb filter maxdelaytime:0.1, delaytime:SinOsc.kr( freq:rrand(0.01,0.001), phase:0.25, mul:0.03, add:0.05 ), mul:combWet, add:input); output = BLowPass4.ar(in:output, freq:lpfCutoff, rq:1); // low pass filter output = Limiter.ar((output*0.9), 0.95, 0.01); // limiter output = output + FreeVerb.ar(output*reverbWet, 1, rrand(0.5,1), 0.1); // reverb output = output * gain; // gain control ReplaceOut.ar(out, output); // replace the audio on the bus! }).add; /* ************************************************************************************************* */ // END )