moved to SynthDefs, added midi control, ensure sync with TempoClock
Nova deViator
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( /*
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_____ ____ __. /\ ____________________ _____
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/ | || |/ _| / / \______ \______ \/ \
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/ | || < / / | | _/| ___/ \ / \
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/ ^ / | \ / / | | \| | / Y \
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\____ ||____|__ \ / / |______ /|____| \____|__ /
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|__| \/ \/ \/ \/
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__________________ .____ ________ __
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/ _____/\_ ___ \| | \_____ \_______| | __
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\_____ \ / \ \/| | / | \_ __ \ |/ /
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/ \\ \___| |___/ | \ | \/ <
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/_______ / \______ /_______ \_______ /__| |__|_ \
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\/ \/ \/ \/ \/
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v150403
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"4K/BPM" - for SCLOrk
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by Luka Prinčič / Nova deViator <nova@deviator.si>
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released under GNU GPL. feel free to copy, reuse, remix,
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provided that you share under same conditions: GNU GPL. */
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// HERE BE SOME FUNKY VARIABLES //
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~chanExpan = [1,1]; // multi channel expansion (just stereo here)
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~bpm = 1; // bpm, for now constant, it could drift...
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~freqVar = { LFNoise0.ar(rrand(0.005, 0.03), 0.2, 1); }; // change tonality from time to time
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/* *************************************************************************************
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DEFINE SYNTHS AND ADD TO SERVER
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******************************* */
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SynthDef(\kindaBass, { | out=0, gain=0.1 |
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out = SinOsc.ar( ((LFSaw.kr(-0.05,1) + 1) * 100 + 40 ), LFTri.kr(40,0,1),
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LFSaw.kr(1.5 * ~bpm) ) * 0.5 * ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\wierdBleep, { | out=0, gain=0 |
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out = LFPulse.ar(60 * ~freqVar, 0, 0.5, LFPulse.kr((1/2) * ~bpm, 0.5, 0.03, 0.3))
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\sine666, { | out=0, gain=0 |
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out = SinOsc.ar(265 * ~freqVar, 0, LFPulse.kr((2/3) * ~bpm, 0.5, 0.3) * 0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\LFPar1, { | out=0, gain=0 |
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out = LFPar.ar(420 * ~freqVar, 0, LFPulse.kr((1/2) * ~bpm, 0.5,0.2) * 0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\lowCub, { | out=0, gain=0 |
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out = LFCub.ar(185 * ~freqVar, 0, LFPulse.kr((1/2) * ~bpm, 0.74,0.2) * 0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\midCub, { | out=0, gain=0 |
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out = LFCub.ar(1985 * ~freqVar, 0, LFPulse.kr((1/2) * ~bpm, 0.74,0.1) * 0.2)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\hiCub, { | out=0, gain=0 |
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out = LFCub.ar(9985 * ~freqVar, 0, LFPulse.kr((4/3) * ~bpm, 0.76,0.005)*0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\addCub, { | out=0, gain=0 |
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out = LFCub.ar(7985 * ~freqVar, 0, LFPulse.kr((5/3) * ~bpm, 0.24,0.005)*0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\sine365, { | out=0, gain=0 |
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out = SinOsc.ar(365 * ~freqVar, 0, LFPulse.kr( (4/3) * ~bpm, 0, 0.1)*0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\sin800, { | out=0, gain=0 |
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out = SinOsc.ar(800 * ~freqVar, 0, LFPulse.kr(2 * ~bpm,0,0.1)*0.1)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\sin5800, { | out=0, gain=0 |
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out = SinOsc.ar(5800 * ~freqVar, 0, LFPulse.kr(2 * ~bpm,0,0.01)*0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\cub820, { | out=0, gain=0 |
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out = LFCub.ar(820 * ~freqVar, 0, LFPulse.kr( (5/3) * ~bpm, 0, 0.1)*0.1)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\lfPar7820, { | out=0, gain=0 |
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out = LFPar.ar(7820 * ~freqVar, 0, LFPulse.kr( (5/3) * ~bpm, 0, 0.03)*0.1)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\white1, { | out=0, gain=0 |
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out = WhiteNoise.ar( LFPulse.kr(2 * ~bpm,0.5,0.001,1) )/2
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\white2, { | out=0, gain=0 |
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out = WhiteNoise.ar( LFPulse.kr(1 * ~bpm,0.5,0.001,1) )/2
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\white3, { | out=0, gain=0 |
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out = WhiteNoise.ar( LFPulse.kr( (5/3) * ~bpm,0.5,0.001,1) )/4
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\white4, { | out=0, gain=0 |
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out = WhiteNoise.ar( LFPulse.kr( (4/3) * ~bpm,0.5,0.001,1) )/4
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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SynthDef(\lfTri, { | out=0, gain=0 |
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out = LFTri.ar(260 * ~freqVar, 0, LFPulse.kr(0.5 * ~bpm,0.25,0.01)*0.3)
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* ~chanExpan * gain;
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OffsetOut.ar(0, out); }).add;
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// effects!
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SynthDef(\fX, { | in=0, out=0, reverbWet=0.3, combWet=0.2, lpfCutoff=50, gain=0 |
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var input, output;
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input = In.ar(in, 2);
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output = CombC.ar(in:input, // comb filter
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maxdelaytime:0.1,
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delaytime:SinOsc.kr(
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freq:rrand(0.01,0.001),
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phase:0.25,
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mul:0.03,
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add:0.05 ),
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mul:combWet,
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add:input);
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output = BLowPass4.ar(in:output, freq:lpfCutoff, rq:1); // low pass filter
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output = Limiter.ar((output*0.9), 0.95, 0.01); // limiter
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output = FreeVerb.ar(output, reverbWet, 1, 0.1, 1); // reverb
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output = output * gain; // gain control
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ReplaceOut.ar(out, output); // replace the audio on the bus!
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}).add;
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/* *************************************************************************************
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SCHEDULE SYNTHS USING EVENTS
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**************************** */
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// schedule this!
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v = Main.elapsedTime.ceil;
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t = TempoClock(1, 0, v);
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t.schedAbs(0, {
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~fX = (instrument: \fX).play;
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~kindaBass = (instrument: \kindaBass).play;
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~wierdBleep = (instrument: \wierdBleep).play;
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~sine666 = (instrument: \sine666).play;
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~lFPar1 = (instrument: \LFPar1).play;
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~lowCub = (instrument: \lowCub).play;
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~midCub = (instrument: \midCub).play;
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~hiCub = (instrument: \hiCub).play;
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~addCub = (instrument: \addCub).play;
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~sine365 = (instrument: \sine365).play;
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~sin800 = (instrument: \sin800).play;
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~sin5800 = (instrument: \sin5800).play;
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~cub820 = (instrument: \cub820).play;
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~lfPar7820 = (instrument: \lfPar7820).play;
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~white1 = (instrument: \white1).play;
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~white2 = (instrument: \white2).play;
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~white3 = (instrument: \white3).play;
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~white4 = (instrument: \white4).play;
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~lfTri = (instrument: \lfTri).play;
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});
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/* *************************************************************************************
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MIDI CONTROLS
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************* */
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MIDIdef.cc(\midikindaBass, { | val | ~kindaBass.set(\gain, val/127); }, 1 ); // <- controller number
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MIDIdef.cc(\midiwierdBleep, { | val | ~wierdBleep.set(\gain, val/127); }, 2 ); // <- controller number
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MIDIdef.cc(\midisine666, { | val | ~sine666.set(\gain, val/127); }, 3 ); // <- controller number
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MIDIdef.cc(\midilFPar1, { | val | ~lFPar1.set(\gain, val/127); }, 4 ); // <- controller number
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MIDIdef.cc(\midilowCub, { | val | ~lowCub.set(\gain, val/127); }, 5 ); // <- controller number
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MIDIdef.cc(\midimidCub, { | val | ~midCub.set(\gain, val/127); }, 6 ); // <- controller number
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MIDIdef.cc(\midihiCub, { | val | ~hiCub.set(\gain, val/127); }, 7 ); // <- controller number
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MIDIdef.cc(\midiaddCub, { | val | ~addCub.set(\gain, val/127); }, 8 ); // <- controller number
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MIDIdef.cc(\midisine356, { | val | ~sine365.set(\gain, val/127); }, 9 ); // <- controller number
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MIDIdef.cc(\midisin800, { | val | ~sin800.set(\gain, val/127); }, 10 ); // <- controller number
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MIDIdef.cc(\midisin5800, { | val | ~sin5800.set(\gain, val/127); }, 11 ); // <- controller number
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MIDIdef.cc(\midicub820, { | val | ~cub820.set(\gain, val/127); }, 12 ); // <- controller number
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MIDIdef.cc(\midilfPar7820, { | val | ~lfPar7820.set(\gain, val/127); }, 13 ); // <- controller number
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MIDIdef.cc(\midiwhite1, { | val | ~white1.set(\gain, val/127); }, 14 ); // <- controller number
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MIDIdef.cc(\midiwhite2, { | val | ~white2.set(\gain, val/127); }, 15 ); // <- controller number
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MIDIdef.cc(\midiwhite3, { | val | ~white3.set(\gain, val/127); }, 16 ); // <- controller number
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MIDIdef.cc(\midiwhite4, { | val | ~white4.set(\gain, val/127); }, 17 ); // <- controller number
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MIDIdef.cc(\midipulseVerb, { | val | ~pulseVerb.set(\gain, val/127); }, 18 ); // <- controller number
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// effects and master out midi control
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MIDIdef.cc(\midifXcombWet, { | val | ~fX.set(\combWet, val/177); }, 60 ); // <- controller number
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MIDIdef.cc(\midifXlpfCutoff, { | val |
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var cutoff; cutoff = (exp(val/12)+50).asInt.min(20000);
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//post("val:" + val); postln(" cutoff:" + cutoff);
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~fX.set(\lpfCutoff, cutoff); }, 61 ); // <- controller number
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MIDIdef.cc(\midifXreverbWet, { | val | ~fX.set(\reverbWet, val/300); }, 62 ); // <- controller number
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MIDIdef.cc(\midifXgain, { | val | ~fX.set(\gain, val/127); }, 63 ); // <- controller number
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) // END
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